Contributors

“Annihilation” (2018) Review

By: Steve Pulaski Annihilation finally allows me to say what's been on the tip of

“Samson” (2018) Review

By: Steve Pulaski Samson presents an intriguing diversion for Pure Flix, the faith-based studio that

“Black Panther” (2018) Review

By: Steve Pulaski Black Panther is a rousing good time at the movies, visually intoxicating,

“The 15:17 to Paris” (2018) Review

By: Steve Pulaski Every few years, a big studio decides to roll the dice

“Fifty Shades Freed” (2018) Review

By: Steve Pulaski When the credits of Fifty Shades Freed rolled, concluding a film that only

“Winchester” (2018) Review

By: Steve Pulaski The last four months have not been kind to the Spierig

’85: The Greatest Team in Football History (2018) Review

By: Steve Pulaski As I settled in to watch '85: The Greatest Team in Football

Forever My Girl (2018) Review

By: Steve Pulaski Alongside love stories, you could argue that stories about redemption are

12 Strong (2018) Review

By: Steve Pulaski In the wake of the September 11th terrorist attacks, when most

Phantom Thread (2017) Review

By: Steve Pulaski Eight films into what has been an accomplished career, Paul Thomas

“Call Me by Your Name” (2017) Review

By: Steve Pulaski Elio is a 17-year-old Jewish boy, soaking up all the rays

Proud Mary (2018) Review

By: Steve Pulaski Proud Mary is as bland as gas station coffee and as generic

Paddington 2 (2017) Review

By: Steve Pulaski Paddington Bear is like the Curious George for advanced pupils. His

I, Tonya (2017) Review

By: Steve Pulaski When it comes to a popular story, be it one revolving

Bright (2017) Review

By: Steve Pulaski David Ayer's Bright has been marketed as Netflix's first foray into blockbusters or

The Shape of Water (2017) Review

By: Steve Pulaski One could make the argument The Shape of Water is this year's La La

The Evolution of Film Noir: A Look at Mood in “The Maltese Falcon” (1941) and “Touch of Evil” (1958)

By: Randy Krinsky Filmmaker Paul Schrader once said that film noir is not a

“Downsizing” (2017) Review

"Downsizing is an unfortunate bait-and-switch" By: Steve Pulaski Alexander Payne is second only to Woody

Father Figures (2017) Review

"J. K. Simmons, Terry Bradshaw save "Father Figures" with charismatic performances" By: Steve Pulaski

Pitch Perfect 3 (2017) Review

"Pitch Perfect 3" hits several wrong notes with a brutal encore By: Steve Pulaski

Jumanji: Welcome to the Jungle Review (2017)

"Jumanji: Welcome to the Jungle" is lame proof that Hollywood will gamble on any

The Disaster Artist (2017)

"The Disaster Artist is worthy of some 'hi marks' By: Steve Pulaski Tommy Wiseau's famous

Star Wars: The Last Jedi (2017) Review

"The Last Jedi dares to take the iconic Star Wars franchise to new, riskier heights"

Darken (2017) Review

A well made sci-fi with a sense of something more. by C. Rachel Katz

The Light of the Moon (2017) Review

Dangerous, beautiful and alive. by Randy Krinsky Recently, I had the pleasure of attending a

Buckout Road (2017) Review

A film without proper direction. by C. Rachel Katz Blood in the Snow Film

Once Upon a Time at Christmas (2017) Review

Shines as a slasher movie. by C. Rachel Katz On the first day of

Fake Blood (2017) Review

Everything about this movie is good! by C. Rachel Katz I'm here faced with

Terms of Service | Privacy Policy |  Subscribe (RSS)

s2Member®