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INFLUX Magazine
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An Interview with Sean Patrick Flanery
Metz, Voyeurism, and a Theoretical Look at Hitchcock’s ‘Rear Window’
An Argument for the Uncanny: A Brief Analysis of James Whale’s Frankenstein (1931)
10 Best Superhero Films of All Time – Part 3
10 Best Superhero Films of All Time – Part 4
10 Best Superhero Films of All Time – Part 5
Three Faces of Sunset Blvd.’s Norma Desmond
The A Plate (Review)
10 Worst Superhero Films of All Time
Alternate Realities (Review)
An Interview with Director Amir Valinia
An Interview with Director Paul Bright
Comicpalooza 2015 Con
Avengers: Age of Ultron (Review)
Furious 7 (Review)
Electric Slide (Review)
Within Madness (Review)
A Scene Analysis from Billy Wilder’s ‘Double Indemnity’ (1944)
Seventh Son (Review)
Jupiter Ascending (Review) (II)
Ninjas vs. Monsters (Review)
Sin Fronteras/Without Borders (Review)
An Interview with Director Scott Kawczynski
The Pick-Axe Murders Part III: The Final Chapter (Review)
Trust, Greed, Bullets & Bourbon (Review)
The Struggle between Order and Abject: The Blob (1958)
Interstellar (Review) (II)
Billy Club (Review)
John Wick (Review)
The Shoot (Review)
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