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INFLUX Magazine
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An Interview with Sean Patrick Flanery

Metz, Voyeurism, and a Theoretical Look at Hitchcock’s ‘Rear Window’

An Argument for the Uncanny: A Brief Analysis of James Whale’s Frankenstein (1931)

10 Best Superhero Films of All Time – Part 3

10 Best Superhero Films of All Time – Part 4

10 Best Superhero Films of All Time – Part 5

Three Faces of Sunset Blvd.’s Norma Desmond

The A Plate (Review)

10 Worst Superhero Films of All Time

Alternate Realities (Review)

An Interview with Director Amir Valinia

An Interview with Director Paul Bright

Comicpalooza 2015 Con

Avengers: Age of Ultron (Review)

Furious 7 (Review)

Electric Slide (Review)

Within Madness (Review)

A Scene Analysis from Billy Wilder’s ‘Double Indemnity’ (1944)

Seventh Son (Review)

Jupiter Ascending (Review) (II)

Ninjas vs. Monsters (Review)

Sin Fronteras/Without Borders (Review)

An Interview with Director Scott Kawczynski

The Pick-Axe Murders Part III: The Final Chapter (Review)

Trust, Greed, Bullets & Bourbon (Review)

The Struggle between Order and Abject: The Blob (1958)

Interstellar (Review) (II)

Billy Club (Review)

John Wick (Review)

The Shoot (Review)

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