Nosferatu (2024) Review

Robert Eggers has carved out a niche in modern cinema as a master of atmosphere and visual storytelling, a reputation cemented by his previous works like “The Witch,” “The Lighthouse,” and “The Northman.” With “Nosferatu,” Eggers builds on his signature aesthetic, blending meticulous historical detail with a surreal, otherworldly quality that immerses viewers in his dark visions.

His ability to create a tangible sense of place and time, while weaving in the macabre and mystical, is unparalleled. Whether you admire or critique his style, there’s no denying that Eggers’ films stand apart in a landscape often dominated by formulaic storytelling. “Nosferatu” exemplifies his commitment to pushing cinematic boundaries, delivering a hauntingly beautiful experience that lingers long after the credits roll.

Eggers’ “Nosferatu” pays homage to its predecessors while carving out its own distinct identity. Drawing from F.W. Murnau’s 1922 silent classic and Bram Stoker’s “Dracula,” the film reimagines the tale of Count Orlok with a uniquely Eggers twist. The narrative retains the gothic elements of both sources—a doomed romance, the clash between the mortal and the monstrous, and the pervasive dread of a sinister presence.

Yet, Eggers injects his trademark authenticity and psychological depth, grounding the supernatural horror in a richly textured world that feels both ancient and immediate. The interplay of light and shadow, coupled with a hauntingly evocative score, creates a palpable tension that underscores the timeless themes of love, obsession, and mortality. This is not merely a retelling; it’s a reinvention that honors the past while boldly forging its own path.

The cast’s performances elevate “Nosferatu” into the realm of modern masterpieces. Willem Dafoe, as Professor Albin Eberhart Von Franz, channels a Van Helsing-inspired gravitas, delivering a performance that is both commanding and deeply human. Dafoe’s presence adds layers of complexity to a character who is as much a scholar as he is a fighter of the dark.

Nicolas Hoult and Lily-Rose Depp, portraying Thomas and Ellen Hutter, bring a grounded vulnerability to their roles, making the audience deeply invested in their plight. Hoult captures Thomas’ descent into fear and determination with remarkable nuance, while Depp’s Ellen exudes a mix of fragility and resilience that anchors the emotional core of the story. However, it is Bill Skarsgard as Count Orlok who truly steals the show. His portrayal is a masterclass in physicality and subtlety, embodying the grotesque and tragic elements of the character with chilling precision. Skarsgard’s Orlok is not just a monster but a deeply tormented being, and his performance cements his status as a modern-day heir to horror legends like Lon Chaney and Boris Karloff.

“Nosferatu” is a testament to Eggers’ vision and ambition. While his earlier films—even the expansive “The Northman”—felt intimate and self-contained, this work is grand in scope and execution. From the sprawling gothic landscapes to the intricate period details, every aspect of the film exudes a sense of scale and grandeur. Yet, Eggers never loses sight of the genre’s essence, focusing on the psychological and emotional horrors rather than cheap jump scares. This is a film that understands the power of suggestion and atmosphere, using its visual and auditory elements to evoke a profound sense of unease.

Ultimately, “Nosferatu” stands as a monumental achievement in modern horror cinema. It’s a film that balances reverence for its sources with a bold, innovative approach that only Eggers could deliver. From its impeccable performances to its breathtaking visuals, every element works in harmony to create a hauntingly unforgettable experience. This is a movie that will not only satisfy fans of Eggers’ previous work but also captivate new audiences and reignite discussions about the enduring power of gothic horror. Years from now, “Nosferatu” will undoubtedly be remembered as a defining moment in Robert Eggers’ already illustrious career.