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INFLUX Magazine
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Brain Fever in the Age of Streaming

A (Modern) Modest Proposal

A Revolution in Bad Taste

4 Period TV Shows to Watch

Martin’s 2015 TV Renewal Faves

A Nostalgic Rebooting of the Past

Enough Found-Footage Films Already!

5 Movies From the 90s That Have Aged Well

In Defense of: Ace Ventura: When Nature Calls

There’s No Way That’s a Job (That Pays the Bills)

Enough of Johnny Depp and Tim Burton!

Interstellar and the Best Visual Effects Oscar

A Scene Analysis from Billy Wilder’s ‘Double Indemnity’ (1944)

The Genius of Don Hertzfeldt (Opinion)

The Genius of Aleksandr Petrov (Opinion)

Death to Jar-Jar, Long Live Star Wars! (Opinion)

In Defense of: Curse of Chucky

Martin’s Oscar Rant (Opinion)

Life after Breaking Bad

The Watching Dead or a Walking Retread?

The Interview

How the Sony Hack Saved The Interview

INFLUX-Master-Image

Update: ‘The Interview’ Will Play in More Than 300 Theaters

Sons of Anarchy — The Hamlet Conclusion: Finalized

Sons of Anarchy – the Hamlet Connection Explained (video)

The Golden Era of Pre-Code Films Part 8

The Struggle between Order and Abject: The Blob (1958)

Sons of Anarchy: Hamlet to Oedipus

The Golden Era of Pre-Code Films Part 7

The Golden Era of Pre-Code Films Part 6

The Golden Era of Pre-Code Films Part 5

The Golden Era of Pre-Code Films Part 4

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